About a year ago, I picked up the fiddle and started to learn Irish music. Like 99% of Americans, I claim Irish heritage. It was only natural that when M started learning the Irish flute that I join in on the fun!
I was really motivated the first three months and practiced frequently. Once I started back to work, I became too overwhelmed to practice anymore. (It’s unfortunate, because I’m sure that making music would have helped me get over the stress of teaching French high schoolers, even if it felt like I didn’t have time to do so.)
In February, we went on a trip to see our old neighbors from Lille who had recently moved to Brittany and then hopped on over to the Brittany Winter School Irish music festival for the last four days of the trip. I hadn’t signed up for any classes – there was no way I could follow, right? – but my old lessons teacher Adrien told me I should go for it, so I did. And I loved it. I got to learn from great players like Paul O’Shaughnessy and Antoin Mac Gabhann. I got a boost of confidence in seeing that I could learn quickly enough by ear and play pretty in tune without the dreadful “beginner tape” on the fingerboard.
For Celti’cimes, I immediately signed up for the workshop with fiddler Oisin Mac Diarmada for the first three days of the trip. It was a general level class, and I was definitely one of the two beginners there, but I struggled along and got some great tunes and tips out of the experience.
Other than the actual workshop, the best parts of the festival were running into old friends that we had met at Brittany Winter School, making new friends from the workshops and sessions, and getting to meet and chat with the Irish players who were there to give the workshops and perform in concerts throughout the week.
Téada is one of the groups that was there for the week, and has been around for a long time, made up of amazing musicians such as Oisin Mac Diarmada (fiddle) and singer and accordion legend Séamus Begley. I got to watch Séamus Begley perform in a pub from three feet away while he sang with and accompanied Cathy Jordan from Dervish on vocals and bodhran. M and I survived an all night session with Tommy Fitzharris (flute) and Patrick Doocey (guitar). I spent a while chatting with bodhran player and TV/radio producer Tristan Rosenstock, one of the nicest guys around, who was willing to discuss American politics and listen to me chat about how much I love his show “Hup”. I got to meet one of my favorite fiddle players, Tom Morrow, who plays for Dervish. I watched some members of Dervish along with the Mulcahy sisters play in a private session in a pizza restaurant. We got to hear Eoin’s Polkas, composed by Séamus’ son, played live at a session by members of Téada. I learned one of the polkas from the recording I made at the live session.
As for my personal musical experience, I practiced tunes outside with new friends from the violin workshop. I was “forced” by a new friend to play a suite of tunes at an outdoor session at 2am, after one too many beers, but had the best time ever when they encouraged me and played along. The last night, I played more than I ever have in a session before: 7 whole tunes! M and I even started a suite together. We taught each other tunes in the mountain trails, and imagined names of tunes we could compose based on the events of the week, like “The Fall of Victor” or “Breakfast Beer”. I even learned some Irish in an hour and a half class that M and I took. Now we’re both working on it together!
Experiences like this are what I love about Irish music. The tradition brings everyone together around a standard set of tunes, of all levels, of all backgrounds. We get to spend a crazy week together immersed in the music and everything that goes along with it.
I can’t wait for the next one!